Champagne Bollinger Goldfinger Limited Edition

Champagne Bollinger have released their new Goldfinger 007 Limited Edition Cuvée.

The Goldfinger branded magnum of 2007 vintage Bollinger champagne is being released to commemorate the Sean Connery-starring film’s 60th anniversary, and is available in an edition of 200 numbered units.

Presented in a bespoke Globe-Trotter Air Cabin Case, the magnum also comes with four bespoke Bollinger champagne 007 glasses, making this a true collector’s item. 

The Goldfinger 007 Limited Edition Cuvée is available in-store at The 007 boutique in Burlington Arcade, and online at 007Store. The Cuvée is also available by the glass at The 007 bar, alongside other Bollinger champagnes. The 007 is located at House 12-13 Burlington Arcade, 51 Piccadilly, Mayfair, London, W1J 0QJ from 18 September to 31 December 2024. Opening hours are 10am-7pm Monday-Saturday, 11am-6pm Sunday.

The Goldfinger Gallery

Following on from Dr. No and From Russia With Love, Goldfinger became James Bond’s third big screen adventure, pitting 007 (Sean Connery) against Auric Goldfinger (Gert Fröbe), one of the world’s wealthiest men, who is planning Operation Grand Slam, a plot to contaminate the Fort Knox gold reserve to increase the value of his own bullion. To celebrate the film’s sixtieth anniversary, enjoy this collection of behind-the-scenes images, documents, concept art and posters from the EON archive.

Seagull Surprise

Bond’s entry into Goldfinger sees him infiltrate a Latin American drug warehouse, emerging from the water with a seagull on his head (the waterfront was constructed on the water tank at Pinewood studios). In Ian Fleming’s novel, the mission was presented as a flashback beginning with Bond walking into a club. Original screenwriter Paul Dehn extended the sequence to show 007 coming out of the sea, scaling a wall and planting explosives. 

We Have Some Notes

Dated 3 February 1963, just five weeks before filming began, Richard Maibaum’s script notes reveal a script conference with the writer, Cubby Broccoli and Sean Connery, held in Los Angeles where the actor was shooting Hitchcock’s Marnie. The transcript reveals not only the highly collaborative nature of the process but also Connery’s intuitive grasp of tone, sharing concerns the current draft is too joke heavy and light.

Painted Lady

Bond wakes up from being knocked unconscious by Oddjob (Harold Sakata) and discovers Jill Masterson (Shirley Eaton), Goldfinger’s personal assistant, painted head to toe in gold, killed by skin asphyxiation.

After the make-up dept experimented with different paints to see what would work under the hot lights, the scene was shot on April 20. The gold was applied with a paintbrush by make-up artist Paul Rabiger and it took around 90 minutes to apply. There was no paint on Eaton’s front, allowing her skin to breathe.

“I did feel hot and uncomfortable,” remembered Shirley Eaton, “but (director) Guy Hamilton was very considerate of me. He got it done very quickly and the two shots were done in one morning.”

The scene became one of the iconic images in the series and was homaged in Quantum Of Solace when agent Strawberry Fields (Gemma Arterton) was killed in a similar fashion but with crude oil.

Bond To A Tee

Bond and Goldfinger battle it out in the most under-handed golf game ever filmed. The stakes between Bond and Goldfinger start small – “Shall we make it a shilling a hole?” suggests Bond – but soon escalates when 007 drops a bar of lost gold onto the green.

The Stoke Poges golf course was only a ten-minute drive from Pinewood Studios but the shoot was plagued by five days of bad weather. A different kind of duel took place as Connery and Fröbe engaged in a mock swordfight with golf clubs as the cast and crew waited for the conditions to improve. The scene played squarely to Connery’s passion for the game.

“The great joke about him was his absolute obsession with golf,” recalled Honor Blackman, who played Pussy Galore. “He was mad about it. A real addict. The rest of us had to steer him away from the subject or he’d go on for hours, giving us a ball-by-ball replay.”

The scene also provided an opportunity to show the threat posed by Goldfinger’s manservant Oddjob (Harold Sakata), firstly by crushing a golf ball in one hand and then by decapitating a statue by flinging his bowler hat. The moment was created by a series of shots captured at both Stoke Poges and in the gardens at Pinewood, stitched seamlessly together by editor Peter Hunt.

Taking The High Road

Following the golf duel, Bond tracks Goldfinger to Switzerland using a homing device hidden in the bullion dealer’s Rolls-Royce Phantom III. Guy Hamilton scouted for locations in a single weekend, looking for a winding road where Bond tails Goldfinger. The location at the Furka pass allowed Hamilton to create three separate planes of action with Bond being targeted by Tilly Masterson (Tania Mallet) while he is looking at Goldfinger. The Switzerland shoot was delayed not only by inclement weather but also by the clutch on the Aston Martin burning out, resulting in some hasty repairs.

The Tables Are Turned

The torture of Bond by Goldfinger, with 007 strapped to a laser table, was the first scene shot with Connery and Fröbe. The initial idea was to utilise a real laser but the pencil thin line disappeared under the powerful studio lights. While the laser’s beam was added in later optically, an acetylene torch actually cut through gold sheets (actually cut made with brass) mounted on an electrically operated unit underneath the table.

Positively Shocking Pages

The climax of Goldfinger takes place in Fort Knox as Bond thwarts Goldfinger’s Operation Grand Slam. Production designer Ken Adam meticulously recreated the exterior of Fort Knox in Black Park, an outside space adjacent to the back lot, while a more fanciful interior was created in the studio. 

The scene involved intricate fight choreography between 007 and henchman Oddjob. The script had Bond attack Bond with a forklift truck loaded with gold bars but Hamilton wanted something more. The final death scene sees Bond throw Oddjob’s steel rimmed hat that gets stuck between the bars in a grille, then electrocuting the henchman with a live wire as he goes to retrieve his bowler.

“Harold grabbed the hat and all the bang bangs were set off,” recalled Hamilton. “The bang bangs were very well done and very spectacular and I was intrigued. And the only timing I remember was that when the effects started to die, I will say ‘Harold’, and then he could fall down dead. The effects were rather fun and were going on so I didn’t say ‘Harold’ for quite a time. Eventually as they started to die down, I said, ‘Harold’, and then he – doink! – did a very spectacular fall.” 

Works Of Art

Goldfinger had its royal premiere in London at the Odeon Leicester Square on September 17 1964 (Honor Blackman called it “the most glamorous night of my life”). Released later in the US on Christmas Day, the film opened in 64 cinemas where it recouped its $3 million budget in just two weeks. The film went onto gross almost $125 million worldwide, breaking box office records globally.

Key to the film’s success was its poster campaign. The UK posters saw designer Robert Brownjohn riff on his title sequences, using Margaret Nolan rather than Shirley Eaton as the ‘golden girl’. The French poster design focused on the battles between Bond and Oddjob, while the Japanese poster puts 007 front and centre surrounded by key scenes from the film. 

The 2024 Advent Calendar Is Unveiled

Seven decades, seven drawers, seven exclusive collectibles. The James Bond 2024 Advent Calendar is revealed, released in a limited edition of just 1,000 and only available to order at 007Store.com and The 007 Boutique at the Burlington Arcade, Mayfair.

This luxury calendar is the ultimate festive gift and features seven drawers of Bond-inspired designs to open in Christmas week. With a combined retail value of over £350, the unique numbered exclusives, collectibles and collaborations take you on a journey through James Bond’s 25 film history, moving through each decade, from Dr. No (1962) to No Time To Die (2021).

Reserve yours now at 007Store.com or The 007 Boutique

24 Carat Gold For Goldfinger

As part of the Goldfinger anniversary celebrations, British car kit makers Agora Models announce a precious limited edition 24 ct gold-plated Goldfinger Aston Martin DB5 in 1:8 scale. With just seven models being created, the car will come complete with some of 007’s most famous gadgets, including functioning ejector seat and revolving number plate.

Made in collaboration with Eon Productions and Aston Martin, the meticulously detailed car will be available as a luxury self-build kit or complete model. 

The replica began with laser scanning of the original full-size Goldfinger car with hundreds of photos taken to capture every detail, including the engine, chassis, dashboard and gadgets. Up to 250 moulds were then created – each weighing well over a tonne – and painstakingly tested before final production began. The gold-plated body is made with 24 ct fairmined gold worked by specialists in Birmingham’s jewellery quarter and each car is individually certificated.

Discover an arsenal of functioning gadgets as designed by Q: ejector seat with removable roof panel, twin front-mounted Browning machine guns, bulletproof screen, tyre slashers, oil slick jets, revolving number plates, gadget control panel, radar tracker screen, weapons tray, extending over-rider rams.

Priced at £24,999 ($29,999; €29,999), the 24 ct gold model is currently on display at The 007, Burlington Mayfair and available to view at agoramodels.com. Due to a high volume of interest, Agora has a special ordering system with successful purchasers being notified from 5 October 2024, James Bond Day. Find full details on their website here.   

The Goldfinger At 60 Gift Guide

To mark Goldfinger turning 60, we bring you a guide to our collectibles and product collaborations available at 007Store.com and The 007 Boutique at Burlington Arcade, Mayfair, London. Discover exclusive Ken Adam sketch prints, apparel, special release sock designs, and more to celebrate the adventures of James Bond, Pussy Galore, Auric Goldfinger and Oddjob 

Art

The anniversary is marked with a newly created 60 Years of Goldfinger framed poster. The Goldfinger Ken Adam print set is a special new portfolio of six rarely seen sketches by the iconic 007 Production Designer in a numbered edition of just 300. Visitors to the Burlington Arcade boutique only will find three new framed Ken Adam sketches to order. These exclusives include the film’s Fort Knox set, the laser room set and the Aston Martin DB5.     

Clothing

N.Peal‘s silk & cashmere knit polos, sweaters and waistcoat let you recreate Bond’s look in a number of Goldfinger’s scenes. The Goldfinger anniversary sock box set contains five designs from The London Sock Exchange, including The 007 DB5 in racing green and a new golden Oddjob. Or pick up the Ken Adam DB5 t-shirt, available in a choice of colours.

Accessories

Tee off with Lock & Co.‘s Stoke Panama trilby hats and 60th anniversary Auric flat cap in pure wool, while using the new Goldfinger tees, golf towel and ball marker from Penfold Golf. Gold-plated Fort Knox bullion cufflinks complete any outfit; Barton Perreira‘s handcrafted Goldfinger sunglasses draw on Sean Connery’s on-set style. Globe-Trotter’s leather Oddjob hat luggage charm is a fun way to personalise your baggage – or simply keep it sharp with the Goldfinger “This is gold, Mr. Bond” quote pencil.

Collectibles

Until 5th October, get a first look at the Champagne Bollinger Goldfinger magnum set at The 007 Boutique. This numbered anniversary release is made in an edition of just 200, and will be available at 007Store.com and worldwide from 5th October. 

Auric and James Steiff collector’s bears are all set to come home with you, or select your favourite car model from the film. Complete the Goldfinger Aston Martin DB5 kit by Agora Models for a museum quality 1:8 scale replica, while the new Corgi Rolls Royce Phantom III is now available. Catch a replica Oddjob hat by Factory Entertainment – complete with iconic metal brim – or switch it up with the DB5 gearstick. Discover the new silver proof Goldfinger coin from The Perth Mint or take your pick with an Aston Martin DB5 keyring in a choice of chrome, gold or gun metal finishes.

Discover the complete collection at 007Store.com or visit the Burlington Arcade for The 007 Boutique and more 007 partner stores at 51 Piccadilly, London, W1J 0QJ. The 007 Boutique is open until 31 December 2024 and opens 10am-7pm Monday-Saturday, 11am-6pm Sunday.

Celebrating Goldfinger’s 60th Anniversary

“This is gold, Mr. Bond. All my life I’ve been in love with its colour… its brilliance, its divine heaviness.”

Directed by Guy Hamilton, Bond (Sean Connery)’s third globe-trotting mission takes him from Latin America to Miami to Kent to Switzerland to Kentucky, this time thwarting gold-obsessed businessman Auric Goldfinger (Gert Fröbe) from controlling the world’s bullion reserves. 

To mark its sixtieth birthday, let’s celebrate how Goldfinger established the template for many of the adventures to follow…

The Title Sequence

The iconic title sequence for Goldfinger was created by advertising creative/graphic designer Robert Brownjohn. Building on his work in From Russia With Love, which projected slides of text onto the body of a dancer.

While the sequence ultimately featured images from all three 007 films, it delivered a tightly paced precis of Goldfinger’s key moments, from the chief villain Goldfinger to henchman Oddjob (Harold Sakata) to the revolving number plates of the Aston Martin DB5. It became a striking collage, all played out to John Barry-Anthony Newley-Leslie Bricusse’s unforgettable song. “I think the mixture of his images and the song was just perfect,” recalled Barry.

The Song

Goldfinger marked the first time composer John Barry composed the music for both the film and the title song. Hamilton wanted the song to be “dirty and gritty” and played Barry a recording of Mack The Knife as a guide to the feel he wanted.

“I sat down and wrote this rather strange angular thing, which for me was right,” said Barry. “It couldn’t be a freewheeling open melody. It had to have angles.”

Barry sent the music for the song to lyricists Anthony Newley and Leslie Bricusse, who were enjoying a huge West End hit with Stop The World I Want To Get Off. As neither had read Goldfinger’s book or screenplay, Barry explained it was a song for the main villain, using Mack The Knife as an example. After the lyric was written, Barry recorded a demo with a bass, banjo and Newley on vocals before moving into the studio to record with performer Shirley Bassey.

“There was a big screen in the studio and I had to sing over the titles and I’d never done that before,” said Bassey. “The titles were very sensual, I must say.”

“I said ‘Shirley, just sing it like you sing it, with all your conviction,” said Barry. “’Convince everybody that you know what it’s about. Belt it to the best of your ability’.”

The recording session went on all night, with the singer having to repeat the song over and over again.

“I had this restricting bustier on, so towards the end, I went to the bathroom to take it off and let it all hang out,” the singer remembered. “I felt much more comfortable and I was able to hit the last note better. I was holding it, and holding it, and I was looking at John and I was going blue in the face and he was going, ‘Hold it just one more second.’ And when it finished I nearly passed out.”

The song proved to be a huge hit, inspiring over 20 cover versions, the soundtrack album going to number one. Yet the combination of Barry’s writing and Bassey’s voice also gave the series its signature sound. 

“Shirley fit so well with that Bond style,” explained Barry. “It was the most natural thing.”

The Q Scene

While previous films had included scenes with M and Miss Moneypenny, Goldfinger became the first Bond film to take us into Q’s lab and showcase his workshop of gadgets. The scene not only sees Q (Desmond Llewellyn) replace 007’s Bentley 3 ½ litre with the now iconic Aston Martin DB5, equipped with an arsenal of extras that save Bond’s life, but also set the tone for the 007/Q relationship that would play out across the series. 

“At the rehearsal stage, I was working at a desk and Bond comes in and I got up to meet him,” remembered Llewellyn. “And Guy said, ‘No, no, no, no. You don’t take any notice of this man. You don’t like him.’ And I thought, ‘But this is Bond, this is James Bond and I’m just an ordinary civil servant. I must admire him like everybody else does.’ Guy says, ‘No, no, no, no. Of course, you don’t. He doesn’t treat your gadgets with respect, any respect at all. I mean, the briefcase that you gave him in From Russia With Love — he just ignored it more or less although it saved his life. So, when you’re describing the things on the car, you know perfectly well he’s not going to treat them with the respect they should have.’ And, of course, the penny dropped and the whole thing came together.”

Initially, the script skipped over Q’s explanation of the car’s capabilities but was rewritten at Cubby Broccoli’s insistence so the audience could enjoy the anticipation of Bond pressing buttons to escape. “I think Cubby was absolutely right”, recalled Hamilton.

The rewrite meant that Llewellyn had more technical jargon to learn but it also gifted him one of the series’ most memorable lines.

“Since they had the set there, it was quite easy to get me back on Monday and then they could choose whether it was used or not,” the actor recalled. “And, of course, it gave me the chance of producing I suppose one of the most famous lines: ‘I never joke about my work, 007’.”

The Car

Ian Fleming’s novel described Bond’s car as a gadget filled Aston Martin DB8 Mark III, an idea which had particular resonance with production designer Ken Adam.

“I had a Jaguar which was continuously being damaged by people parking badly,” he said. “Having guns at the back of the Aston Martin and the overriders becoming like boxing gloves and so on, became part of me releasing my frustrations.”

It was director Guy Hamilton who came up with the idea of revolving number plates because, “I was getting a lot of parking tickets at the time and I thought it would be absolutely marvellous to collect a parking ticket and then juggle the number plate, drive off, not be worried and you’d look at the meter man’s face.” 

Adam and Special Effects Supervisor John Stears visited Aston Martin Lagonda and fell in love with a red DB4 that was actually a prototype for the DB5. The car was so packed there was no space to add the mechanics to make the gadgets work so more practical means were sought. The rear lights that descended and oil slick were done for real with a big container of oil in the back of the boot – this meant removing the bullet proof shield to create more room.

The Aston Martin DB5 proved immensely popular. The following year, a Corgi die-cast model car was released just before Thunderball and has sold over 7 million DB5s in various editions since 1965.

The Huge Climactic Action Set-Piece

Pre-empting the likes of You Only Live Twice, The Spy Who Loved Me, and Moonraker, Goldfinger ends on a big set-piece involving a huge set designed by Ken Adam. While the exterior was a detailed recreation of Fort Knox on Black Park, the interior was pure invention.

“I thought if I can reproduce the exterior absolutely as a copy of the existing Fort Knox, then I can design whatever I like for the interior of it,” said Adam. “Since I felt gold was the important thing, I then stacked up gold 40 foot high behind a sort of prison like grille.” 

Filming in the vault began on June 12. On the first day of the shoot, Sean Connery was sent home with a swollen eye, testament to the physical nature of the action. As Goldfinger’s Korean army take on the US military, the sequence took ten days to complete, complicated by fight choreography and practical special effects. As Bond diffuses the bomb that is to irradiate the gold bullion, producer Harry Saltzman suggested a comedic beat that sums up a knowing lightness of touch that Goldfinger exemplifies.

“When you shoot an insert for the bomb and the thing is flying through, obviously you go down to zero,” observed Hamilton. “It was Harry Saltzman who said, ‘Stop it here. You should stop it at seven. 007’.”

007 Action VIP Opening In Vienna

007 Action had its VIP opening yesterday (4 September) in Vienna, attended by Bond actresses Maryam d’Abo (The Living Daylights) and Caterina Murino (Casino Royale), special effects supervisor Chris Corbould OBE and stunt coordinator Lee Morrison. 

“It’s wonderful to be back in Vienna where we filmed The Living Daylights and see how the legacy of Bond continues to captivate new audiences,” said Maryam d’Abo. 

Caterina Murino added: “It’s an honour to be a part of the James Bond franchise and be here in Vienna to see this vast collection of iconic vehicles, watches and miniatures.”

“This wonderful collection of vehicles from over 60 years of the James Bond films certainly brings back some great memories of creating heart-pounding action sequences,” recalled Chris Corbould OBE.

Lee Morrison said: “I’m really proud of the stunts we created in the 007 films; these vehicles have certainly been put through their paces. It’s also good to see the addition of Bond’s classic OMEGA watches into the collection.”

007 Action at the METAstadt Convention Centre opens on Saturday 7 September. Tickets are on sale now.

Image: Andreas Tischler

On Location With Spectre

Spectre represents the longest job of Supervising Location Manager Emma Pill’s career. “I started in December 2013 and finished in August or September 2015. Two birthdays, two Christmases,” Pill says. Responsible for finding and securing the filming locations, Pill had worked with filmmakers Steven Spielberg, Tim Burton and Christopher Nolan before she joined the world of 007, tasked by director Sam Mendes to track down locations as diverse as a remote alpine clinic and a North African base for SPECTRE operations.

“Sam [Mendes] was absolutely brilliant to work with,” Pill recalls. “With Michael G. Wilson and Barbara Broccoli, you do feel part of a family when you’re working on a Bond film. I hadn’t done one before but to actually get to do Spectre was great. Bond is a British institution.”

Below Pill takes us through the challenges, pitfalls and joys travelling the world to source the perfect locations for Spectre

Mexico City, Mexico 

Spectre begins with 007, played by Daniel Craig, on a rogue assignment in Mexico City, killing assassin Marco Sciarra during the Day of the Dead festivities. With no such parade of this scale taking place in Mexico City at that time, the production staged its own celebration through Paseo de la Reforma, one of the capital’s principal avenues, and Centro Histórico, the central historical district.

“I sent my colleague Ali James to Mexico City. “She did an amazing job. It was quite a coup to get the area shut down for the entire shooting period,  We had something like a thousand police. It was a big deal and it looked spectacular on film.”

For the key location of Zócalo Square, the production team spent a year negotiating permissions to stage a helicopter fight high above the crowded parade. It’s testament to the power of the Bond franchise that the Mexican government officials said yes, as air traffic in the area was usually not permitted.

“The [James Bond] name opens doors from a location point of view because people are so excited about it,” says Pill. “It’s such an event and nice to be able to phone up and say, ‘Hello. I’m working on this. I can’t tell you too much about it. But can I have a look at your location please?’ More often than not, you get to see amazing stuff that Joe Public doesn’t get to see.”

Rome, Italy 

Bond heads to Rome to attend Sciarra’s funeral. From intel gathered from Sciarra’s widow Lucia (Monica Bellucci), 007 infiltrates a meeting of clandestine terrorist network SPECTRE run by Franz Oberhauser/Blofeld (Christoph Waltz), who authorises the murder of the mysterious ‘Pale King’. Bond is spotted in the shadows and a high-speed chase ensues through the streets of Rome, with Bond’s Aston Martin DB10 chased by Oberhauser’s chief henchman Hinx (Dave Bautista) in a Jaguar C-X75.

“I did the scouting for Rome,” says Pill. “We had to take the DB10 into the streets at night prior to shooting to see what the colour of the metallic body was against some of the streetlights.”

To shoot the pursuit, Pill’s team arranged one of the longest city lock-offs in the franchises’ history, blocking out roughly 3km of main roads entering Rome. On February 23 2015, the unit shot Bond and Hinx speeding alongside each other on Corso Vittorio Emanuele II, two of the fastest cars in the world barrelling through the streets at night.

“Everybody takes into consideration the precious, period nature of the city but there is also the public and crew safety aspect,” says Pill. “The planning that goes into chases is insane. They do some crazy things in Bond films, that’s what makes it exciting.”

Sölden, Austria

With Moneypenny’s help, Bond identifies ‘The Pale King’ as Mr. White (Jesper Christensen) and heads to Althuassee in Austria. The scouting for the snowy sequences was Pill’s first job on Spectre, the process starting in December 2013 because it is impossible to choose an alpine location without snow, “it looks completely different,” she says. Pill, alongside Production Designer Dennis Gassner and Associate Producer Gregg Wilson, spent six weeks exploring different European countries to find the perfect scenescape.

“Our first challenge was to look at all the different mountaintops, whether it be France, Italy, Switzerland or Germany,” Pill explains. “We looked at these incredible buildings that are perched on insane peaks and then we went out and scouted them. I don’t know how many ski lifts and cable cars we took but we did a lot of that.”

They landed on the ice Q, a restaurant in Sölden, Austria, that was a perfect space for the Hoffler Klinik. “I remember going up there for the first time,” she says. “It was a clear blue sky at the end of the day, that sort of dusk feeling. It was spectacular. Those moments are what I love.”

Once the ice Q was selected as the key location, it became the lynchpin around which the other locations were chosen in Austria. “You do have to have a bit of a plan for each country,” says Pill. “You start to try and form packages and parcels. We might have had an amazing lake up in Norway, but we weren’t going to go for a lake in Norway and a mountain in Austria.

Gara Medouar, Morocco

Conceiving the film visually, director Mendes wanted the film to play on a dynamic between hot and cold. After the freezing climates of Austria, the action switches to Morocco as Bond and Madeleine Swann (Léa Seydoux) track down SPECTRE’s HQ in the Sahara. Having shot in Tanzania previously, and after recce-ing Morocco, Pill suggested a crater caused by erosion in Gara Medouar near Sijilmasa for Blofeld’s lair. 

“When Sam [Mendes], Dennis [Gassner] and cinematographer Hoyte [Van Hoytema] flew over, we walked out and it’s this flat landscape with an amazing little canyon with a cauldron coming out of it. We were looking for the feeling of heat, big skies, huge scope.”

The River Thames, London 

When joining the project, Pill was convinced production wouldn’t need London locations because Mendes’ previous 007 film Skyfall had made extensive use of the English capital. She couldn’t have been more wrong.  “Sam sat down with a group of us and said, ‘I want to bring it to central London. I want to focus on the river’,” says Pill. “My eyebrows raised knowing how difficult that can be.”

After destroying Blofeld’s base, Bond and Madeleine return to London to stop Max Denbigh’s online Nine Lives initiative going live, with the action centred on the Thames. The conception for shooting the sequence was to close down the river from Vauxhall Bridge to Hungerford Bridge. To accommodate the planning and negotiations for the sequence, it was scheduled for the end of the shooting as it involved cooperation from numerous parties: the House of Commons, House of Lords, MI5, MI6, the Lambeth Film Office, the Westminster Film Office, The Port of London Authority and the Civil Aviation Authority.

With the sequence taking place at night, illuminating the stretch of river was a big undertaking. Huge lights were placed on rooftops from Vauxhall to Hungerford, with lighting cranes in front of Lambeth Palace and Tate Britain, as well as two placed on floating barges by Westminster Bridge.

“When you next watch the film, notice that each arch of the bridges – Lambeth and Vauxhall – is lit by little spotlights underneath. The Thames drops seven metres every tide and it’s never the same time. So, we had a rigging team three weeks prior to the first night shoot, working on flatbed barges with scissor lifts that could only get to certain arches at certain tides. The logistics of that whole sequence were mind blowing.”

Pill had a team of 150 people marshalling crowds, organising traffic closures and logistics, an army that required a separate car park just to serve them. Once filming started, the crew were confined to the river, meaning support boats had to provide food and drink. But, as well as on the water, Pill also had to worry about what was going on in the air.

“With the helicopters, we could only fly up till midnight due to residents – they didn’t want helicopters buzzing around their apartments all night. After midnight, we focused down on the river and the quieter stuff. We sent out 11,000 letters to local residents.“

Having planned the set-piece for months, Pill’s most exciting moment was to see all her hard work pay off and the cast and crew take centre stage. “I think it was 9pm on a Saturday night in May and I was on one of the support boats behind the hero boat. I’m sitting there and everything gets closed down and then the helicopter comes in and we’re off. That for me is like, ‘Oh, we got here’. When it all comes together it’s quite exhilarating.”

Daniel Craig Signed Triumph Auction For RNLI

Two Triumph motorcycles hand-signed by Daniel Craig are to be auctioned in support of the Royal National Lifeboat Institution (RNLI).

Donated from Daniel Craig’s personal collection, the #003/250 Scrambler 1200 Bond Edition and the #001/250 Tiger 900 Bond Edition bikes will be auctioned by Bonhams|Cars Motorcycles during the Classic Motorcycle Mechanics Show on 12 and 13 October, 2024.

The two models were inspired by the 25th James Bond adventure No Time To Die and sold out on their day of launch. Each lot also includes a riding experience at the Triumph Adventure Experience with stunt coordinator Lee Morrison and stunt double Paul Edmondson.

Daniel Craig said: “The RNLI has been close to my heart all my life since growing up near the RNLI station at Hoylake. I have incredible memories of going afloat with the RNLI crew at Ramsgate to experience firsthand what it’s like to be part of the organisation that has saved over 146,000 lives since starting up over 200 years ago. I am honoured and immensely proud to support the RNLI and hope the auction of Triumph’s Limited Edition Bond motorcycles proves popular. The riding experience with Lee Morrison and Paul Edmondson adds another unique and exciting dynamic to the lots. I worked with Lee on Casino Royale, all the way through to No Time To Die; the opportunity is not to be missed and will help raise funds for the truly lifesaving cause that is the RNLI.”

Spotlight On Q

‘Q’ may stand for Quartermaster but the character has developed as more than an armourer or supplier of state-of-the-art gadgets. Played by four actors – Peter Burton, Desmond Llewelyn, John Cleese, and Ben Whishaw – in 22 of the 25 James Bond films, he is by turns a source of important intel, a useful accomplice in the field, a mentor and, on many occasions, a life saver. Q’s character has been portrayed as an exasperated father figure and a young opinionated super geek. Every iteration is a perfectly pitched foil for 007, with their relationship filled with sparks, humour and an understated warmth. 

Bond may have no regard for Q’s gadgets, despite how many times they save his life, but he undoubtedly has an underlying affection for the man. “For me Q is like Merlin,” Pierce Brosnan once said of the character. “The last person Bond sees before he goes out on a mission. ‘Pay attention Bond, these are your tricks’.”

Q started life on screen as Major Boothroyd in Dr. No, played by Peter Burton, replacing Bond’s Beretta pistol with his signature Walther PPK handgun. When Burton proved unavailable for From Russia With Love, the role, from here known as Q, was taken over by Desmond Llewelyn, a run that lasted for 17 films. In From Russia With Love, Q gives Bond a very functional run through of his gadgets: a standard attaché case kitted out with a throwing-knife, anti-tampering mechanism with a magnetised tear-gas cartridge disguised as a tin of talcum powder, fifty concealed gold sovereigns and an Armalite AR-7 Survival Rifle. 

It is in Goldfinger that the Q-Bond rapport becomes an integral part of the films.

“At the rehearsal stage, I was working at a desk, Bond comes in and I got up to meet him,” Llewelyn recalled. “And Guy [Hamilton, director] said, ‘No, no, no, no. You don’t take any notice of this man. You don’t like him.’ And I thought, ‘But this is Bond, this is James Bond and I’m just an ordinary civil servant. I must admire him like everybody else does.’ Guy says, ‘No, no, no, no. Of course you don’t. He doesn’t treat your gadgets with any respect at all. So when you’re describing the things on the car, you know perfectly well he’s not going to treat them with the respect they should have.’ And, of course, the penny dropped and the whole thing came together.”

The scene also gave us a key line. When Q informs Bond the Aston Martin has an ejector seat, the secret agent suggests he must be joking. Q famously responds, “I never joke about my work, 007”.

While Q never joked about his work, the notoriously mischievous Roger Moore, who first worked with Llewelyn on The Man With The Golden Gun, would later play tricks on the actor when it came to playing Q’s tech briefing scenes. “Desmond always had reams of the most impossible dialogue to utter,” said Moore. “And if that wasn’t bad enough, I would sit down with the script supervisor, write gobbledegook dialogue, get her to type it up, give it to [director] John Glen, and say, ‘This is the new dialogue, give it to Desmond one minute before the take’. Poor Desmond fell for it every time.”

As well as equipping 007 in his lab, Q has also played a pivotal role in assisting Bond on his missions in the field. He has left his laboratory and headed out a number of times, demonstrating numerous gadgets in the Bahamas in Thunderball and gifting Bond the new, improved auto-gyro named Little Nellie in Japan in You Only Live Twice. But it took Timothy Dalton’s second adventure Licence To Kill to deliver Llewelyn’s most substantial role as Q goes to Isthmus to help 007 by posing as Bond’s uncle.

“I loved this film because I had a large part in it!” recalled Llewelyn. “I’d never really been on location before, so I loved every minute of it.”

Pierce Brosnan’s first 007 film, GoldenEye, features Q at his most impish. Entering the lab, 007 discovers his quartermaster in a wheelchair with his leg in a plaster cast. Bond asks if it was a skiing accident and Q fires a rocket out of his cast against the wall and quips, “Hunting”. Q also introduces Bond to his BMW Z3, armed with Stinger Missiles, an X-Ray document scanner and a pen armed with a grenade.

Llewelyn increasingly found it difficult to remember the jargon filled dialogue and was aided by a series of cue cards, dubbed Q Cards, positioned off camera. “When you don’t understand the gadgets you are explaining, it is easy to get things mixed up,” he explained. By the time of The World Is Not Enough, Llewelyn was aged 85 and didn’t want to be saddled with pages of difficult dialogue. As Q exits the scene descending in an elevator, Llewelyn movingly delivers some final words of advice for Bond.

Q: “Now pay attention 007, I’ve always tried to teach you two things: first, never let them see you bleed.”

Bond: “And the second?”

Q: “Always have an escape plan…”

John Cleese was cast as his successor, nicknamed R by 007 in The World Is Not Enough. In Die Another Day, R has been promoted to Q, giving Bond a glass shattering ring, a sonic agitator that can shatter unbreakable glass, a new laser emitting, mine disarming watch and the Aston Martin V12 Vanquish that Q calls ‘The Vanish” due to its adaptive camouflage that makes it appear invisible. 

After being rested for Casino Royale and Quantum Of Solace, Q returned in Skyfall. “It’s very hard to replace Desmond Llewelyn, who has a very special place in our hearts and the hearts of audiences, but to reintroduce the character of Q it seemed appropriate, considering the times we live in, that he would be a young whippersnapper,” Barbara Broccoli said. “Ben Whishaw was the obvious choice. He has this wonderful openness to him, intelligence, and real wit.”

And taking on the role, Whishaw soon realised what Q means to fans. “When I told people I was playing Q, I became even more excited because people’s reactions were so big,” Whishaw explained. “I was amazed, and I don’t think I had really understood until then what the Bond franchise, and this character, actually means to people.” 

Bond, now played by Daniel Craig, and the new Q first meet at the National Gallery on Trafalgar Square in London in front of JMW Turner’s The Fighting Temeraire, 1839. It’s a cagey meeting, the former wary of Q’s youth, the latter dismissive of Bond’s deeply entrenched old school views. 

“At first the relationship between Bond and Q is a little strained, particularly on Bond’s part,” Whishaw said. “Q is from a new generation that Bond is just not a part of. Q has a self-possession, a deep-seated confidence in himself and his brilliance, and is surprised that Bond might be unhappy with Q having this position. Q stands up to Bond. Q holds his ground, and I think that impresses Bond.”

Later Q places a crucial part in the plot to outwit cyber-criminal Silva (Javier Bardem), laying a trail of digital breadcrumbs to help draw the mastermind to Bond’s family home, Skyfall. In Spectre, he goes even further, not only helping Bond to go off grid at the risk of his job but also overcoming his fear of flying to travel to Austria, decoding the SPECTRE ring to confirm the existence of the organisation.

No Time To Die features a series’ first: a glimpse of Q’s home, including a modular synthesiser, royal family knick-knacks and two bald Sphynx cats (“You know, they make them with hair these days.” Bond quips). Still Q is called into action, investigating files related to Project Heracles, providing Bond with a watch that emits an electromagnetic pulse that can short any circuit in a hardwired network and keeping tabs on the infiltration of Safin (Rami Malek)’s lair via Q.DAR, his self-designed three-dimensional map system.

From trick briefcases to hi-tech tracking systems, Q has moved with, and ahead, of the modern world. But there is something about his flair, wit and ingenuity that has remained timeless.

007 Science: Inventing the World of James Bond, the very first exhibition focussing on the technology of 007’s 25 adventures is open at The Griffin Museum of Science and Industry in Chicago. Read more here.

James Bond’s Beaches

The beach has played a visually stunning backdrop to some iconic 007 moments…

Dr. No (1962)

The Beach: Laughing Waters, Ocho Rios, Jamaica

The Action: On the trail of the sinister Dr. No (Joseph Wiseman) at Crab Key Island, Bond watches on as shell diver Honey Ryder (Ursula Andress) emerges from the sea singing calypso ‘Standing Underneath The Mango Tree’. Bond joins in, startling Honey who pulls out a knife. 

“What are you doing here? Looking for shells?” she asks. “No, I’m just looking,” he replies.

Fact: Andress’ introduction emerging from the sea was interrupted by four men wandering into shot. The group, included playwright Noel Coward and poet Stephen Spender, alongside Bond creator Ian Fleming who lived just down the beach – it was the first time the author visited the 007 set. 

Thunderball (1965)

The Beach: Love Beach, Nassau, the Bahamas

The Action: After aiding Domino (Claudine Auger) out of the water and sucking the sea urchin poison out of her foot, Bond (Sean Connery) breaks the sad news that her brother Francois has been killed on the orders of SPECTRE’s Emilio Largo (Adolfo Celi). Persuading her to help in his mission to stop Largo, Bond kills Largo’s henchman using a harpoon, quipping, “I think he got the point”.

Fact: Claudine Auger’s bikini is black and white reflecting her character’s name, Domino.

On Her Majesty’s Secret Service (1969)

The Beach: Guincho Beach, Portugal

The Action: The opening scene of On Her Majesty’s Secret Service sees Bond (George Lazenby) saving Countess Tracy di Vicenzo (Diana Rigg) from suicide before battling with men sent by her father Draco (Gabriele Ferzetti), improvising weapons from oars and anchors.

Fact: George Lazenby’s line, “This never happened to the other fellow” came from an in-joke from the set that made it into the final film. He said, “when I’d have to work at the weekends, the stuntmen would tell me, ‘Connery never did weekends’. I’d say, ‘That never happened to the other fellow, eh?’”

The Man With The Golden Gun (1974)

The Beach: Khao Phing Kan Island, Thailand

The action: Bond (Roger Moore) and high-class professional assassin Francisco Scaramanga (Christopher Lee) duel on the beach of Scaramanga’s secluded island in Chinese waters.

Fact: Since filming, Khao Phing Kan, along with another island, Ko Tapu, used as a location, have been dubbed James Bond Island. 

The Spy Who Loved Me (1977)

The Beach: Spiaggia Capriccioli, Sardinia, Italy

The Action: Evading the henchmen of marine megalomaniac Karl Stromberg (Curt Jürgens), Bond (Roger Moore) and Anya Amasova (Barbara Bach) drive a submersible Lotus Esprit into the sun-kissed sea. Following an underwater battle with divers, the Lotus emerges onto the sands of Spiaggia Capriccioli at Costa Smeralda – to the amazement of bathers.

Fact: Assistant Director Victor Tourjansky played a drunk on the beach. He played similar cameos in Moonraker and For Your Eyes Only.

For Your Eyes Only (1981)

The Beach: Agios Georgios, Corfu, Greece

The Action: Bond (Roger Moore) and Countess Lisl von Schlaf (Cassandra Harris) take a walk along the beach at dawn, only to be ambushed by Locque (Michael Gothard), who knocks the Countess down on a beach buggy.

Fact: Cassandra Harris was at the time married to future Bond actor Pierce Brosnan, who first met Cubby Broccoli during the film’s production, 13 years before he was cast as Bond in 1994.

GoldenEye (1995)

The Beach: Playa Ojo de Agua, Puerto Rico

The Action: A brooding Bond contemplates killing his former friend Alec Trevelyan (Sean Bean). Natalya Simonova (Izabella Scorupco) challenges his life of violence, questioning his coldness. “It’s what keeps me alive,” he replies. “No,” she counters, “it’s what keeps you alone”.

Fact: The production built a façade of a beach house for the sequence. The crew joked they could sell it in The New York Times’ overseas property pages for $300,000.

Die Another Day (2002)

The Beach: La Caleta, Cadiz, Spain

The Action: In Cuba to investigate Isla de Los Organos, Bond (Pierce Brosnan) poses as an ornithologist and studies the island from the beach. This surveillance is interrupted by the sight of CIA agent Jinx (Halle Berry) emerging from the sea.

Fact: Released on the 20th anniversary of Dr. No, Die Another Day features references to the series’ history with this moment a call-back to Ursula Andress’ iconic entrance in Dr. No as Honey Ryder.

Casino Royale (2006)

The Beach: New Providence, Nassau, The Bahamas

The Action: Using intel pulled from the phone of bomb maker Mollaka (Sébastien Foucan), 007 (Daniel Craig) heads to the Bahamas on the trail of corrupt Greek official Alex Dimitrios (Simon Abkarian). Emerging dramatically from the sea, Bond catches the eye of Dimitrios’ wife Solange (Caterina Murino), as well as Dimitrios himself.

Fact: The romantic idyll between Bond and Vesper Lynd (Eva Green) was also shot on a beach in Nassau. 

Skyfall (2012)

The Beach: Koca Calls Beach, Fethiye, Turkey

The Action: Missing, presumed dead by his former employers, Bond (Daniel Craig) is on a path to self-destruction (albeit in paradise) drowning his sorrows in a beach bar by day, playing scorpion themed drinking games at night.

Fact: Scenes of Severine (Bérénice Marlohe) on Silva (Javier Bardem)’s yacht were also captured at Fethiye.

No Time To Die (2021)

The Beach: San San Bay, Port Antonio, Jamaica

The Action: Bond (Daniel Craig) has retired from the British Secret Service and is laying low in Jamaica, sailing on his yacht the Happenstance and catching huge fish for supper.

Fact: Bond’s abode was created by the crew on a private beach near Port Antonio.   Ian Fleming wrote twelve 007 novels and two short story collections in Jamaica. Both interior and exterior scenes were shot there.

Visit James Bond’s stunning beaches and locations with Black Tomato’s 007 experiences. Visit Black Tomato x 007: Exclusive Travel Experiences

Aston Martin’s The House Of Q

Aston Martin’s Bond experience The House of Q is now open in Burlington Arcade.

Commemorating sixty years since the Aston Martin DB5’s debut in Goldfinger, the 007 activation in Mayfair runs until 4 August.

V57, a special James Bond anniversary edition of Aston Martin’s luxury lifestyle magazine, has been released to mark the occasion. The House of Q at 12-13 Burlington Arcade appears to be a magazine newsstand, yet inside guests will discover a gold Champagne Bollinger bar with technical drawings, schematics and parts of the original DB5 from the archives of both Aston Martin and EON Productions.

Goldfinger celebrates its sixtieth anniversary on 17 September.